Creative CV

Tereza Crvenković

tereza.crvenkovic@gmail.com

https://www.instagram.com/tereza_crvenkovic/

www.terezacrvenkovic.art

 

Education

2016

Grad. Dip Creative Writing

The University of Sydney

2006

M.Phil. (Performance Studies) with distinction.

Thesis: “Dancing in Koleda’s Circle: A Performative Analysis of Croat Folk Dance in Australia.”

The University of Sydney

2002

Certified Focusing Trainer

The Focusing Institute, NY, USA

1994

M.A. (Theatre Studies) Coursework and research.

Thesis: “Contemporary Carnival in Croatia: Performance, Representation and Staging.”

University of NSW

1990

Research scholarship: Theatre and Carnival Traditions in Croatia

University of Zagreb

1987

B.A. (Hons) (English Literature)

The University of Sydney

Group Exhibitions

2023

Paradoxes of Paradise, Creative Hybrids Lab

Video installation, “Liminal: A Work in Progress;” projected digital media, “Liminal Series;” printed digital media, “About Average1” and “Somewhere Close to the Other Side.”

Artist, Facilitator, Art Workshop and Panelist

Casula Powerhouse Arts Centre, Sydney, Australia.

2020

Live Dreams: Impossible

Liveworks Festival of Experimental Art, Creative Hybrids Lab co-created work-in-progress, The Remediation Room

Performance Space, Sydney.

Residencies

2024

Accessible Arts and Bundanon Trust Artist-in-Residence Program 2024

Six-night artist residency at Bundanon Trust Estate.

2021

Blast Theory United Kingdom, residency in collaboration with Creative Hybrids Lab.

Presentation of literary work and panellist.

Collaboration

2021 – present

Collaboration with Bosnian artist and Creative Consultant, Andrijana Miler. Improvisation; experimental dance and movement; journaling/storytelling/workshopping for creative development.

2021

Looking Through the Window/A Portrait of Tereza Crvenković

Portrait by Fine Arts Photographer, Greg Semu

Shortlisted in the ROSL photography competition 2021.

On view at ROSL Clubhouse, London 2022 and CHOGM (Commonwealth Heads of Government Meeting), Kigali, Rwanda 2022.

Published Work

2025. femLENS Documentary Photography. International Women’s Day Campaign 2025.

Post with story and photography documenting studio collaboration with artist Andrijana Miler.

2023. Pain 21. Ars Medica Vol. 17 No. 2: Frictions of Futurity, Curative Tensions, and Artistic Reimaginings of Transplantation. University of Toronto, Toronto, Canada, pp. 54-64.

https://ars-medica.ca/index.php/journal/issue/view/43/39

2022. The Other Side. Issue 84 Kaleidoscope: Exploring the Experience of Disability through Literature and the Fine Arts. Akron, Ohio USA pp. 59-61

https://www.udsakron.org/wp-content/uploads/K84-FINAL.pdf

2020. Pink Life. Scars: An Anthology of Microlit. Atherton. C. (ed.) Spineless Wonders.

2018. Letter to My Body. Hektoen International: A Journal of Medical Humanities. Chicago, Illinois USA.

https://hekint.org/2018/05/22/letter-to-my-body/

2017. Yoga After Stroke. Australian Yoga Life, Issue 57 SEP - NOV 2017. Australian Yoga Life (AYL).

2016. His Long Slender Fingers. Imprint. The University of Sydney Student Anthology 2015. Sydney University Press.

2012. Ljubo and Koleda: Ljubav nas Veže i Spaja

Script writer for film narration, independently produced 50-minute documentary.

2008. Focusing and Writing About Doing the Dance. The FOLIO (Volume 21, Number 1, 2008) TRIBUTE ISSUE. The International Focusing Institute INC [US].

https://focusing.org/sites/default/files/legacy/folio/Vol21No12008/13_FocusingAndWrTRIB.pdf

1997. Rope-soul. Candle in the Dark (ed.) Libby Turnock. Kangaroo Valley, New South Wales. Shoalhaven Group of Amnesty International.

Other Experience

Koleda Croatian Folkloric Ensemble

Dancer, vocalist, dance instructor for over 45 years. 100s of community-based performances Australia-wide, 3 tours of Croatia and Bosnia Hercegovina, regular performances at the Sydney Opera House, 2 studio albums.

1996 - 2004

Iyengar Yoga Teacher Training/Teacher

1999 – 2008

Focusing Trainer